意念經過思考、回憶，分離出某些形象，從觀看裏拼湊，並且加以條理化、概括化。從表徵的到隱喻的，某些難以言傳的態度被逐一引發出來。我著迷於造景，並期望畫面上呈現的是理想的心靈空間。
如果空間和時間只是人們思維的產物，其性質便可大可小，可快可慢，可有可無。讓我設想空間是用來安置情景，一個沒有邊的框框，又或是世界以外的一個容器。當中景物之間的距離，定義了它們的相互位置關係，並在互相牽引中誘發聯想。
景物的大小遠近並不遵循規律，亦呈現不到任何實在的真相。此外，時間凝固了，當下變得漫長，割離過去和未來，從時間的連續性之中抽離出來，要在時間之外，混沌與忘懷。
Certain of ideas are generated after memorizing. Images are systematized and generalized by observation. From the obvious to the metaphor, some sorts of inexpressible attitude are inspired. Creating a scene still holds a fascination for me. I hope that the visual space created on the canvas is the representation of an ideal mental space.
If space and time are just the products of mind, their nature can be vast or tiny, rapid or slow, present or absent. Let me visualize that the space can be used for planting sceneries. It can be a frame without boundary, or a vessel existing in another world. The distance in between defines the relationship of the objects, and the tension created therein triggers off association in thoughts.
The size and the distance of the objects are not following the regulations. Moreover, they cannot significant the truth. Time condenses, past and future are slashed. "Self" gets away from the sequence of time and forgets his own existence.
